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In 1986, after Matt and Deborah had married, they published Work is Hell plus two calendars, one with cartoonist Lynda Barry.
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With Deborah's management and promotional talents his cartoon went from being published in 11 free weeklies to over 250 papers nationwide. The gift line included t-shirts, mugs, calendars, and greeting cards.
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Caplan had already left her career in advertising sales at the Reader to manage the Life in Hell Co./Acme Features Syndicate full time, which managed syndication and merchandising for Groening's Life in Hell cartoons. The book was an underground success, selling 22,000 copies in its first two printings. In November 1984, Groening's then-girlfriend (and co-worker at the Reader), Deborah Caplan, decided to publish a compilation of Groening's cartoons as a book entitled "Love is Hell". In a 1991 interview about The Simpsons, Groening said that Life in Hell was done entirely by himself, describing the comic as "Matt Groening pure and simple," and explained that the strips were often weird or entirely different every week because of however he was feeling at the time of a strip's creation. According to Groening, however, she still told him, "You think you're Akbar, but you’re really Jeff." The addition of the twin-like Akbar and Jeff was meant to act as a mask of anonymity to hide who was who in such arguments. However, she grew irritated with Groening because she felt he was portraying her unfairly. Early on in the comic, Groening used Binky and his wife to mirror the arguments Groening himself had with this girlfriend.
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In a 1999 interview, Groening said that he added Akbar and Jeff to the comic to appease his girlfriend (who was not yet Deborah Caplan). The character designs of Akbar and Jeff were, in fact, failed attempts by Groening to draw Charlie Brown. Then-publisher of the Reader Jane Levine said Groening arrived at editor-in-chief James Vowell's office one day, showing him his "silly cartoons with the rabbit with one ear." After Groening left, Vowell came out of his office saying, "This guy is gonna be famous someday." Popular in the underground, Life in Hell was picked up by the Los Angeles Reader (an alternative weekly newspaper where Groening also worked as a typesetter, editor, paste-up artist and music critic) in 1980, where it began appearing weekly.
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The first strip, entitled "Forbidden Words", appeared in the September/October issue.
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The magazine covers were humorous as well: the first issue saw Binky, a rabbit-humanoid character, standing in a cloud of smog and declaring, "What you see is what you breathe." Groening also worked real photos into the covers, such as drawings from Jules Verne's books or a picture of his family's living room.Īn editor from Wet magazine bought one of the magazines and liked it, and offered Groening a spot in the magazine soon after, in 1978, Life in Hell debuted as a comic strip in the avant-garde Wet, to which Groening made his first professional cartoon sale. These magazines contained comic strips, comedy sketches, letters, and photo collages. Groening photocopied and distributed the magazines to friends, and also sold them for two dollars a copy at the punk corner of the record store in which he worked, Licorice Pizza on Sunset Boulevard.
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He described it as "every ex-campus protester's, every Boomer idealist's, conception of what adult existence in the '80s had turned out to be."
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And then I had a series of lousy jobs." In the comic book, Groening attacked what many young adults found repellent: school, work, and love. It was inspired by his move to the city that year in an interview with Playboy, Groening commented on his arrival: "I got on a Friday night in August it was about a hundred and two degrees my car broke down in the fast lane of the Hollywood Freeway while I was listening to a drunken DJ who was giving his last program on a local rock station and bitterly denouncing the station's management. Life in Hell started in 1977 as a self-published comic book Groening used to describe life in Los Angeles to his friends. Matt Groening created Life in Hell to describe life in Los Angeles to his friends.